Children have a layered relationship with words..., they enjoy them on an aural/oral and visual level as much as for meaning, and sometimes they live happily with a word on an aural level - without knowing its meaning.
Kate de Goldi
The thought of a layered relationship with words excites me, even as an older adult. I too, enjoy the sound and look of some words, without the need to understand them. The Jabberwocky, a poem by Lewis Carroll, springs to mind here. Nonsensical at the level of meaning but with a rich texture at the aural and visual levels.
Once again we are led by the little children.
As a converse, reading some of the post-modern literary critics there is no enjoyment at any level and sometimes it appears to be a literary and academic attempt at a Jabberwocky stripped of meaning, charm or fun.
Showing posts with label post modern. Show all posts
Showing posts with label post modern. Show all posts
Monday, February 25, 2013
Sunday, December 16, 2012
Words Chosen Carefully
In a recent post I mentioned a book that interviewed 12 New Zealand poets in 1985. I was wondering then what the same people would think now after 27 years. On Saturday I went to the library and found a book that answers the questions for several of the original poets.
The book is titled Words Chosen Carefully - New Zealand writers in discussion and is edited by Siobhan Harvey with photography by Liz March. Elizabeth Smither and C.K.Stead are in both books and one can see the development of their thoughts and observations on craft and the place of the writer in a New Zealand context.
In 1985 New Zealand still had a degree of cultural cringe and preferred literature from overseas, which was a reflection of the country's colonial past. In this post colonial and post modern world NZ writing is coming of age.
While this book of literary discussions is centered on New Zealand many of the observations equally apply to any country that has been colonized in he past.
DK
The book is titled Words Chosen Carefully - New Zealand writers in discussion and is edited by Siobhan Harvey with photography by Liz March. Elizabeth Smither and C.K.Stead are in both books and one can see the development of their thoughts and observations on craft and the place of the writer in a New Zealand context.
In 1985 New Zealand still had a degree of cultural cringe and preferred literature from overseas, which was a reflection of the country's colonial past. In this post colonial and post modern world NZ writing is coming of age.
While this book of literary discussions is centered on New Zealand many of the observations equally apply to any country that has been colonized in he past.
DK
Subscribe to:
Posts (Atom)

